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JON MORRELL – SET & COSTUME DESIGNER |
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OPERA CREDITS INCLUDE: |
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IPHIGENIE EN TAURIDE |
Director: |
Philippe Calvario |
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Theatre: |
Hamburg State Opera |
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PARTENOPE |
Director: |
Christopher Alden |
Costumes |
Theatre: |
English National Opera |
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TOSCA – Revival |
Director: |
Christopher Alden |
Costumes |
Theatre: |
Opera North |
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LA CLEMENZA DI TITO |
Director: |
Graham Vick |
Opens April 2008 |
Theatre: |
Teatro Regio Torino |
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JENUFA |
Director: |
David Alden |
Costumes |
Theatre: |
Washington National Opera |
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JENUFA |
Director: |
David Alden |
Costumes |
Theatre: |
ENO / Houston Grand Opera |
Laurence Olivier Award Nomination – Best New Opera Production |
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TURANDOT |
Directors: |
Matthew Richardson, Patrik Sorling |
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Theatre: |
Norrlands Operan, Sweden |
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ANGELS IN AMERICA |
Director: |
Philippe Calvario |
Costumes |
Theatre: |
Le Chatelet, Paris |
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CECILIA & THE MONKEY KING |
Director: |
Patrik Sorling |
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Theatre: |
Drottningholms Slottsteater, Sweden |
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RIGOLETTO |
Director: |
Matthew Richardson |
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Theatre: |
New Zealand Opera |
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CENDRILLON |
Director: |
Nick Broadhurst |
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Theatre: |
Staatstheater Darmstadt |
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TALES OF HOFFMAN |
Director: |
Nick Broadhurst |
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Theatre: |
Saarlandische Staatstheater GmbH |
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TOSCA |
Director: |
Christopher Alden |
Costumes |
Theatre: |
Opera North |
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VILAR YOUNG ARTISTS SHOWCASE 2002 |
Director: |
John Cox |
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Theatre: |
Royal Opera House |
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DEIDAMIA |
Director: |
Nick Broadhurst |
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Theatre: |
Opernhaus Halle |
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LOHENGRIN |
Director: |
Nick Broadhurst |
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Theatre: |
Staatstheater Darmstadt |
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LA BOHEME |
Director: |
Tim Albery |
Costumes |
Theatre: |
English National Opera |
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FALSTAFF |
Director: |
Nick Broadhurst |
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Theatre: |
Schillertheater NRW, Wuppertal |
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THE MARRIAGE OF FIGARO |
Director: |
Nick Broadhurst |
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Theatre: |
Staatstheater Darmstadt |
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ATTILA |
Director: |
Jean Claude Auvray |
Costumes |
Theatre: |
Opera National Du Rhin |
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ARABELLA |
Director: |
Francisco Negrin |
Costumes |
Theatre: |
Opera North |
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De Vlaamse Opera |
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THE TWO WIDOWS |
Director: |
Graham Vick |
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Theatre: |
City of Birmingham Touring Opera |
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NORMA |
Director: |
Francisco Negrin |
Costumes |
Theatre: |
Grand Theatre de Geneve |
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Gran Teatre del Liceu |
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GIASONE |
Director: |
David Alden |
Costumes |
Theatre: |
Spoleto Festival, USA |
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WOZZECK |
Director: |
Christopher Alden |
Costumes |
Theatre: |
Dallas Opera / Houston Grand Opera |
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KÁTA KABANOVÁ |
Director: |
David Alden |
Costumes |
Theatre: |
Dallas Opera / Houston Grand Opera |
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SUOR ANGELICA |
Director: |
Per Erik Ohrn |
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Theatre: |
Norrlands Operan |
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GIANNI SCHICCHI |
Director: |
Per Erik Ohrn |
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Theatre: |
Norrlands Operan |
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CARMEN |
Director: |
Patrik Sorling |
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Theatre: |
National Touring Theatre of Sweden |
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FAUST |
Director: |
Matthew Richardson |
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Theatre: |
Birmingham Touring Opera |
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OIDIPUS |
Director: |
Matthew Richardson |
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Theatre: |
Folk Operan, Sweden |
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LUCIA DI LAMMERMOOR |
Director: |
Rennie Wright |
Costumes |
Theatre: |
Houston Grand Opera |
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FORTUNATO |
Director: |
Matthew Richardson |
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Theatre: |
Norrlands Operan |
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DIE GEZEICHNETEN |
Director: |
Jonathan Miller |
Costumes |
Theatre: |
Zurich Opera House |
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SHOWCASE: NATIONAL OPERA STUDIO |
Director: |
Tim Albery |
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Theatre: |
Queen Elizabeth Hall |
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THE PICTURE OF DORIAN GRAY |
Director: |
John Cox |
Costumes & Assoc. Set Designer |
Theatre: |
Opera de Monte Carlo |
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THEATRE CREDITS INCLUDE: |
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PURGATORIO |
Director: |
Daniele Guerra |
Costumes |
Theatre: |
Arcola Theatre |
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ELECTRE |
Director: |
Philippe Calvario |
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Theatre: |
Brest Theatre and French Tour |
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ROMEO & JULIET |
Director: |
Gregory Thompson |
Costumes |
Theatre: |
Citizens Theatre |
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BLOOD WEDDING |
Director: |
Jeremy Raison |
Costumes |
Theatre: |
Citizens Theatre |
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THE SUNSHINE BOYS |
Director: |
Martin Duncan |
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Theatre: |
Deutsches Theater |
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THE GOVERNMENT INSPECTOR |
Director: |
Martin Duncan |
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Theatre: |
Chichester Festival Theatre |
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HIS DARK MATERIALS |
Director: |
Nicholas Hytner |
Costumes |
Theatre: |
Royal National Theatre |
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THE WINTER’S TALE |
Director: |
Nicholas Hytner |
Costumes |
Theatre: |
Royal National Theatre |
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TALK OF THE CITY |
Director: |
Stephen Poliakoff |
Costumes |
Theatre: |
Swan Theatre, RSC |
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ABIGAIL’S PARTY |
Director: |
Fiona Buffini |
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Theatre: |
Theatre Clwyd, Mold |
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CRUSH |
Director: |
Jeremy Raison |
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Theatre: |
Gateway Theatre |
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BLUE MOON |
Director: |
Jeremy Raison |
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Theatre: |
Gateway Theatre |
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BETRAYAL |
Director: |
Jeremy Raison |
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Theatre: |
Gateway Theatre |
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THE RULES OF THE GAME |
Director: |
Jonathan Kent |
Costumes |
Theatre: |
Almeida Theatre |
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MEDEA |
Director: |
Jonathan Kent |
Costumes |
Theatre: |
Almeida Theatre |
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THE IMPORTANCE OF BEING EARNEST |
Director: |
Jeremy Raison |
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Theatre: |
York Theatre Royal |
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BILLY BUDD |
Director: |
Tim Supple |
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Theatre: |
Crucible Theatre |
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BALLET CREDITS INCLUDE: |
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CARNIVAL OF ANIMALS |
Choreographer: |
Christopher Wheeldon |
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Theatre: |
Houston Ballet / Pennsylvania Ballet |
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NIGHTSWIMMING INTO DAY |
Choreographer: |
Ashley Page |
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Company: |
Scottish Ballet |
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Theatre: |
Glasgow Theatre Royal |
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32 CRYPTOGRAMS |
Choreographer: |
Ashley Page |
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Company: |
Scottish Ballet |
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Theatre: |
Glasgow Theatre Royal |
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RUSH |
Choreographer: |
Christopher Wheeldon |
World Premiere |
Theatre: |
Edinburgh Festival 2003 |
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San Francisco Ballet |
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CARNIVAL OF ANIMALS |
Choreographer: |
Christopher Wheeldon |
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Theatre: |
New York City Ballet |
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THIS HOUSE WILL BURN |
Choreographer: |
Ashley Page |
Set in collaboration with Stephen Chambers |
Theatre: |
Royal Ballet, Covent Garden |
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SAWDUST & TINSEL |
Choreographer: |
Ashley Page |
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Theatre: |
Royal Ballet, Sadlers Wells |
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WHEN WE STOP TALKING |
Choreographer: |
Ashley Page |
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Theatre: |
Royal Ballet, Dance Bites Tour |
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TWO PART INTERVENTION |
Choreographer: |
Ashley Page |
Costumes |
Theatre: |
Royal Ballet, Covent Garden |
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ROOM OF COOKS |
Choreographer: |
Ashley Page |
Costumes |
Theatre: |
Royal Ballet, Dance Bites Tour |
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MOUTHFUL |
Choreographer: |
Ossi Niskala |
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Theatre: |
Stockholms Dansteater |
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T.Y.C.T.M.F.B. |
Choreographer: |
Ashley Page |
Co-Designer |
Theatre: |
Dutch National Ballet |
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VIRTUAL REALITY |
Choreographer: |
Darshan Singh-Bhuller |
Costumes |
Theatre: |
London Contemporary Dance Theatre |
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Newsday, Jocelyn Noveck, “Carnival of Animals” |
“Jon Morrell’s costumes are fun and inventive, such as the tropical birds evoked by cheerleaders with pompoms and the mermaid who clutches her tail as she dances…” |
Review Sunday Times, “The Two Widows”, CBTO |
“This brilliant piece of design and the sumptuous costumes are the work of Jon Morrell, whose good taste is urgently needed in British opera today.” |
Christopher Wheeldon, New York City Ballet |
“…vibrant and ingenious”, Jon has “proved his talent for re-imagining the old and inventing the new” |
San Francisco Ballet |
“….an artist of extraordinary ability and distinction in the field of set & costume design” |
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