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KLE SAVIDGE – MUSIC SUPERVISOR |
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FEATURE FILM CREDITS INCLUDE: |
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AN EDUCATION |
Director: |
Lone Scherfig |
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Producers: |
Finola Dwyer, Amanda Posey |
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Featuring: |
Alfred Molina, Emma Thompson |
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Rosamund Pike, Peter Sarsgaard |
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Original Music: |
Paul Englishby |
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Soundtrack: |
Universal Classics & Jazz |
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Production Co: |
BBC Films / Endgame Entertainment |
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Finola Dwyer Productions / Wildgaze Films |
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A Nick Hornby coming-of-age drama about a teenage girl in 1960’s suburban London, and how her life changes with the arrival of a playboy nearly twice her age. |
Sundance Film Festival World Cinema Audience Award |
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RUN, FAT BOY, RUN |
Director: |
David Schwimmer |
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Producers: |
Sarah Curtis, Robert Jones |
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Featuring: |
Thandie Newton, David Schwimmer |
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Simon Pegg, Hank Azaria |
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Original Music: |
Alex Wurman |
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Soundtrack: |
Universal Records |
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Production Co: |
Material Ent. / New Line Cinema |
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Comedy about a chunky, clueless guy leaves his fiancee on their wedding day only to discover - some 10 years later - that she is his one true love. But in order to win back her heart, he looks to finish his first marathon while making her realise that her new man is the wrong guy for her |
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THE FRONT LINE |
Director: |
David Gleeson |
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Producer: |
Nathalie Lichtenthaeler |
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Featuring: |
Eriq Ebouaney, James Frain |
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Original Music: |
Patrick Cassidy |
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Production Co: |
Wide Eye Films |
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A refugee from the Congo, living in Dublin, has his world turned upside down and his secrets revealed after a gang implicate him in a bank robbery. |
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CHROMOPHOBIA |
Director: |
Martha Fiennes |
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Producers: |
Tarak Ben Ammar, Ron Rotholtz |
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Featuring: |
Penelope Cruz, Ralph Fiennes |
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Original Music: |
Magnus Fiennes |
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Production Co: |
Quinita Comunications |
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Quinta Communications / Rotholz Pictures |
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Contemporary drama about a dysfunctional family. Music ranges from Opera & Classical to David Holmes and a specially recorded version of Leonard Cohen’s “Dance Me To The End Of Love” by The Wild Colonials. |
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ONE LOVE |
Directors: |
Rick Elgood, Don Letts |
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Producers: |
Bjorn Eivind Aarskog |
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Yvonne Deutschman, Shelaagh Ferrell |
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Exec. Producers: |
Finola Dwyer, Emma Hayter, Nik Powell |
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Featuring: |
Idris Elba, Vas Blackwood |
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Soundtrack: |
VP Records |
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Original Music: |
Simon Bass |
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Production Co: |
One Love Films |
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Jamaican Romeo & Juliet - with a happy ending. Reggae soundtrack with tracks from Kymani Marley, Sean Paul and an exclusive Shaggy track over the end credits. |
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COWBOYS AND ANGELS |
Director: |
David Gleeson |
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Producer: |
Nathalie Lichtenthaeler |
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Featuring: |
Michael Legge, Frank Kelly |
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Original Music: |
Stephen McKeon |
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Production Co: |
Wide Eye Films |
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Grosvenor Park Productions |
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Coming of age drama set in modern day Limerick with a bouncing soundtrack of alternative artists including Haircut 100, The Wannadies, Robots in Disguise and 3 Colours Red. |
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ME WITHOUT YOU |
Director: |
Sandra Goldbacher |
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Producer: |
Finola Dwyer |
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Featuring: |
Anna Friel, Michelle Williams |
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Original Music: |
Adrian Johnston |
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Soundtrack: |
Sony Records |
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Production Co: |
Fireworks Pictures / Samuel Goldwyn Films |
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Momentum Pictures |
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A tale of friendship that spans three decades. Mostly set in ‘70s and ‘80s with a soundtrack to match – Echo and the Bunnymen, The Clash, & Depeche Mode. |
BAFTA Nomination for Best British Film |
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NEW YEAR’S DAY |
Director: |
Suri Krishnamma |
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Producers: |
Simon Channing-Williams, Stephen Cleary |
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Featuring: |
Marianne Jean-Baptiste, Andrew Lee Potts |
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Original Music: |
Adrian Johnston |
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Production Co: |
Flashpoint / Les Films du Losange |
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Contemporary drama set in present day Brighton. Paul Weller covered Rod Stewart’s “Reason to Believe” for this film. Also includes tracks from Nina Simone, Herb Alpert and Gorky’s Zygotic Mynci. |
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NATIONALITY: |
Canadian / Greek |
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COUNTRIES WORKED IN: |
UK |
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ADDITIONAL INFORMATION: |
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Kle spent ten years in the A&R department at Alan McGee’s legendary Creation Records label, working directly with its impressive roster of artists, including Oasis, Teenage Fanclub, Super Furry Animals and Primal Scream. When Creation Records closed its doors forever in 2000 Kle decided to pursue personal projects of interest, which led her to music supervision for Feature Films. Her freelance work also includes writing music reviews and licensing chart songs for use as ringtones for a Paris based mobile music producer. She also compiled and obtained licenses for a CD to accompany the US release of Nick Hornby’s book “31 Songs”. |
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